"Andrea Chénier: Un dì, all´azzurro spazio" by Umberto Giordano, Jon Vickers, Orchestra Dell Opera Di Roma, Tullio Serafin was released on March 25, 2014. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jon Vickers, Orchestra Dell Opera Di Roma's "Jon Vickers The early years" album is number 7 out of 17. On top of that, Austria appears to be the country where this track was created. The popularity of Andrea Chénier: Un dì, all´azzurro spazio is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Andrea Chénier: Un dì, all´azzurro spazio by Umberto Giordano, Jon Vickers, Orchestra Dell Opera Di Roma, Tullio Serafin to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen (1997 - Remaster), Act II: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E♭ Major | 0 | 5B | 72 BPM | ||
Il barbiere di Siviglia / Act 1: No.5 Cavatina: "Una voce poco fa" - "Io sono docile" | Gioachino Rossini, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 1 | 12B | 129 BPM | ||
Andrea Chénier / Act 4: "Vicino a te" | Umberto Giordano, Violeta Urmana, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | F Minor | 1 | 4A | 71 BPM | ||
Las Hijas del Zebedeo: Carceleras | Ruperto Chapí, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | A Minor | 3 | 8A | 73 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B Minor | 9 | 10A | 180 BPM | ||
Carmen, WD 31: La fleur que tu m'avais jetée | Georges Bizet, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | B Minor | 2 | 10A | 89 BPM | ||
Contes d'Hoffmann: Les oiseaux dans la charnille | Jacques Offenbach, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 96 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | F Major | 1 | 7B | 166 BPM | ||
Pagliacci / Act I: "Qual fiamma avea nel guardo! ... Stridono lassù" | Ruggero Leoncavallo, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A Major | 1 | 11B | 78 BPM |
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