"Las Hijas del Zebedeo: Carceleras" by Ruperto Chapí, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato was released on January 1, 2007. With this song being about 5 minutes long, at 4:53, "Las Hijas del Zebedeo: Carceleras" by Ruperto Chapí, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in "The Opera Gala - Live from Baden-Baden", so we believe that "Las Hijas del Zebedeo: Carceleras" is a single. Las Hijas del Zebedeo: Carceleras is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Las Hijas del Zebedeo: Carceleras by Ruperto Chapí, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Also sprach Zarathustra, Op. 30, TrV 176: Das Grablied - | Richard Strauss, SWR Symphony Orchestra, François-Xavier Roth | G Major | 1 | 9B | 131 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
Symphony No. 7 in E Minor: III. Scherzo: Schattenhaft | Gustav Mahler, SWR Symphony Orchestra, Michael Gielen | F Minor | 2 | 4A | 70 BPM | ||
I Capuleti e i Montecchi: Eccomi in lieta vesta / Act 1: Ah! crudel, d'onor ragioni - Live | Vincenzo Bellini, Elina Garanca, Anna Netrebko, Wiener Symphoniker, Fabio Luisi | A♭ Major | 1 | 4B | 87 BPM | ||
The Magic Flute, K. 620, Act II: Ach! Ich fühl's, es ist verschwunden | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | G Minor | 0 | 6A | 181 BPM | ||
La Bohème / Act 3: "Dunque: è proprio finita!...Addio, dolce svegliare" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 92 BPM | ||
Sapho, Act III, No. 19: Ô ma lyre immortelle | Charles Gounod, Yannick Nézet-Séguin, Wiener Philharmoniker, Elina Garanca | B♭ Minor | 1 | 3A | 84 BPM | ||
Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
Le nozze di Figaro, K. 492 / Act 3: "E Susanna non vien...Dove sono i biei momenti...Io" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Giorgio Tadeo, Thomas Allen, London Philharmonic Orchestra, Sir Georg Solti | C Major | 1 | 8B | 126 BPM |
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