"St. Matthew Passion, BWV 244, Pt. 1: No. 3, Choral: "Herzliebster Jesu, was hast du verbrochen"" by Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor, Munich Chorknaben was released on January 1, 1959. With St. Matthew Passion, BWV 244, Pt. 1: No. 3, Choral: "Herzliebster Jesu, was hast du verbrochen" being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 79 in Bach: Matthäus-Passion by Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter. St. Matthew Passion, BWV 244, Pt. 1: No. 3, Choral: "Herzliebster Jesu, was hast du verbrochen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St. Matthew Passion, BWV 244, Pt. 1: No. 3, Choral: "Herzliebster Jesu, was hast du verbrochen" by Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor, Munich Chorknaben is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 4. Aria (Tenore) (Versus III): Jesus Christus, Gottes Sohn | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: II. Adagio | Cologne Chamber Orchestra, Gerald Hambitzer, Christoph Anselm Noll, Johann Sebastian Bach | A Minor | 1 | 8A | 81 BPM | ||
Brandenburg Concerto No. 1 In F Major, BWV 1046: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | F Major | 3 | 7B | 90 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): I. Adagio | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | D Minor | 4 | 7A | 120 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Brandenburg Concerto No. 2 In F Major, BWV 1047: III. Allegro Assai | Cologne Chamber Orchestra, Johann Sebastian Bach | F Major | 4 | 7B | 112 BPM | ||
I. Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, Seconda Parte, Choral (Coro): Gib, Daß Ich Tu Mit Fleiß | Holland Boys Choir; Netherlands Bach Collegium, Peter Frankenberg, Sytse Buwalda, Frederique Chauvet, Bas Ramselaar, Ruth Holton, Johann Sebastian Bach, Knut Schoch, Marion Moonen, Ofer Frenkel, Pieter Jan Leusink | E♭ Major | 2 | 5B | 75 BPM |
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