Johann Sebastian Bach, Lang Lang made "Goldberg Variations, BWV 988: Variatio 24 Canone all'Ottava. a 1 Clav." available on February 12, 2021. The duration of Goldberg Variations, BWV 988: Variatio 24 Canone all'Ottava. a 1 Clav. is about 3 minutes long, at 3:03. Based on our data, "Goldberg Variations, BWV 988: Variatio 24 Canone all'Ottava. a 1 Clav." appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 25 out of 78 in Bach: Goldberg Variations (Extended Edt.) by Johann Sebastian Bach, Lang Lang, Gottfried Heinrich Stölzel, Johann Gottlieb Goldberg, Robert Schumann. In terms of popularity, Goldberg Variations, BWV 988: Variatio 24 Canone all'Ottava. a 1 Clav. is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Goldberg Variations, BWV 988: Variatio 24 Canone all'Ottava. a 1 Clav. by Johann Sebastian Bach, Lang Lang is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite en La: Troisième double | Jean-Philippe Rameau, Alexandre Tharaud | A Minor | 1 | 8A | 107 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
Solfeggio in C Minor, Wq. 117: No. 2 | Carl Philipp Emanuel Bach, See Siang Wong | C Minor | 2 | 5A | 78 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Handel: Organ Concerto in B-Flat Major, Op. 7 No. 3, HWV 308: II. Adagio | George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin, Simon Preston, Valda Aveling | D Minor | 0 | 7A | 82 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | ||
Quartet in G major / Sol majeur / G-dur: II. Vivace - Moderato - Vivace | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | E♭ Minor | 2 | 2A | 115 BPM | ||
Concerto For Flute, Violin, Harpsichord, And Strings In A Minor, BWV 1044: 2. Adagio ma non tanto e dolce | Johann Sebastian Bach, Wilbert Hazelzet, Reinhard Goebel, Andreas Staier, Musica Antiqua Köln | C Major | 3 | 8B | 103 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: 43. Evangelista, Pilatus, Jesus "Sie hielten aber einen Rat" | Johann Sebastian Bach, Collegium Vocale Gent, Ian Bostridge, Philippe Herreweghe, Franz-Joseph Selig | D♭ Major | 0 | 3B | 91 BPM |
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