Jean-Philippe Rameau, Alexandre Tharaud's 'Suite en La: Troisième double' came out on 2001. With Suite en La: Troisième double being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 22 in the song's album "Rameau: "Nouvelles suites"". In this album, this song's track order is #10. In terms of popularity, Suite en La: Troisième double is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Suite en La: Troisième double by Jean-Philippe Rameau, Alexandre Tharaud having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 167 BPM | ||
Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 68 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM | ||
Sonata in C Major, Kk.514 | Domenico Scarlatti, Alexandre Tharaud | C Major | 2 | 8B | 124 BPM | ||
Ravel: Cadence for the Video by Yoann Bourgeois (On Adagio from Ravel's Concerto in G, M. 83) | Maurice Ravel, Alexandre Tharaud | E Major | 1 | 12B | 70 BPM | ||
Les Calotines (19e ordre) | François Couperin, Alexandre Tharaud | D Major | 2 | 10B | 112 BPM | ||
D'Anglebert: Pièces de clavecin: Sarabande "Dieu des Enfers" (After Lully's La naissance de Vénus) | Jean-Henri d'Anglebert, Alexandre Tharaud | G Minor | 1 | 6A | 70 BPM | ||
Piano Sonata in E-Flat Major, Op. 1, No. 1: I. Allegro con comodo | Muzio Clementi, Giacomo Scinardo | E♭ Major | 1 | 5B | 81 BPM | ||
Rameau: Nouvelles suites de pièces de clavecin, Suite en sol: XIV. Les Sauvages | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 2 | 6A | 100 BPM |
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