Jean-Philippe Rameau, Alexandre Tharaud made "Rameau: Nouvelles suites de pièces de clavecin, Suite en sol: XIV. Les Sauvages" available on October 21, 2013. The duration of Rameau: Nouvelles suites de pièces de clavecin, Suite en sol: XIV. Les Sauvages is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Rameau: Nouvelles suites de pièces de clavecin, Suite en sol: XIV. Les Sauvages's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 23 in Autograph by Alexandre Tharaud. In terms of popularity, Rameau: Nouvelles suites de pièces de clavecin, Suite en sol: XIV. Les Sauvages is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Rameau: Nouvelles suites de pièces de clavecin, Suite en sol: XIV. Les Sauvages by Jean-Philippe Rameau, Alexandre Tharaud is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Juméles (12e ordre) | François Couperin, Alexandre Tharaud | E Major | 0 | 12B | 69 BPM | ||
Valse No. 1 en La bémol majeur, Op. 69 | Frédéric Chopin, Alexandre Tharaud | A♭ Major | 0 | 4B | 76 BPM | ||
Elégie | Jules Massenet, Mischa Maisky, Daria Hovora | G Minor | 0 | 6A | 70 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Fauré / Transc. Büsser: 3 Mélodies, Op. 7: No. 1, Après un rêve | Gabriel Fauré, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris | F Minor | 1 | 4A | 83 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 76 BPM | ||
Busoni: Ich ruf' zu dir (After Bach's chorale prelude, BWV 639), BV B27 No. 5 | Ferruccio Busoni, Alexandre Tharaud | F Minor | 0 | 4A | 66 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM |
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