Jacques Ibert, Henk Neven, Hans Eijsackers's 'Chansons de Don Quichotte: I. Chanson du départ - Allegretto' came out on April 15, 2016. The duration of Chansons de Don Quichotte: I. Chanson du départ - Allegretto is about 3 minutes long, at 3:21. Based on our data, "Chansons de Don Quichotte: I. Chanson du départ - Allegretto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 21 in the song's album "Shostakovich, Ibert, Ravel, Dorumsgaard: Rèves D’Espagne". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Chansons de Don Quichotte: I. Chanson du départ - Allegretto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chansons de Don Quichotte: I. Chanson du départ - Allegretto by Jacques Ibert, Henk Neven, Hans Eijsackers having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Yoonie Han | D Minor | 0 | 7A | 75 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 173 BPM | ||
On an Overgrown Path, JW VIII/17, Book 1: No. 3, Come with Us! | Leoš Janáček, Lars Vogt | D Major | 0 | 10B | 131 BPM | ||
Nocturne in B-Flat Major | Maria Szymanowska, Anna Ciborowska | B♭ Major | 1 | 6B | 78 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Vernon Handley, London Philharmonic Orchestra | A Minor | 2 | 8A | 130 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Zhu Xiao-Mei | F Major | 0 | 7B | 65 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM |
Section: 0.6494090557098389
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