"Deidamia (Act 3): M'hai resa infelice" by George Frideric Handel, Jeanine De Bique, Concerto Köln, Luca Quintavalle was released on October 22, 2021. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jeanine De Bique, Concerto Köln, Luca Quintavalle's "Mirrors" album is number 9 out of 13. On top of that, Germany appears to be the country where this track was created. Deidamia (Act 3): M'hai resa infelice is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Deidamia (Act 3): M'hai resa infelice by George Frideric Handel, Jeanine De Bique, Concerto Köln, Luca Quintavalle to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Johannes-Passion, BWV 245 / Part One: 1. "Herr, unser Herrscher" | Johann Sebastian Bach, English Baroque Soloists, The Monteverdi Choir, John Eliot Gardiner | D Major | 4 | 10B | 171 BPM | ||
Boretti: Eliogabalo, Act 3: "Chi scherza con Amor" (Eliogabalo) | Giovanni Antonio Boretti, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | B♭ Minor | 3 | 3A | 82 BPM | ||
Sinfonia a otto, ZWV 189: V. Menuet I - II | Jan Dismas Zelenka, Dresdner Kapellsolisten, Helmut Branny | A Major | 2 | 11B | 72 BPM | ||
Viola Concerto in G Major, TWV 51:G9: Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 1 | 2B | 104 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Handel: Theodora, HWV 68, Act 2: "To Thee Thy Glorious Son of Worth" (Theodora, Didymus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
Violin Concerto No. 2 In E Major, BWV 1042: II. Adagio | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | D♭ Minor | 1 | 12A | 99 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
De Bottis: Mitilene, regina delle amazzoni: "Io piango" - "Io peno" (Mitilene, Armidoro) | Giuseppe De Bottis, Lea Desandre, Cecilia Bartoli, Jupiter, Thomas Dunford | B Minor | 2 | 10A | 103 BPM | ||
Sant'Agnese: Vaga rosa (Aria) | Bernardo Pasquini, Núria Rial | D♭ Minor | 0 | 12A | 77 BPM |
Section: 0.5815227031707764
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