"Verdi: La traviata, Act 2: "Annina, donde vieni?....O mio rimorso!" (Alfredo, Annina, Violetta, Germont)" by Giuseppe Verdi, Francesco Albanese, Gabriele Santini, Ines Marietti, Orchestra Sinfonica della RAI, Ugo Savarese was released on 1954. With this song being about 5 minutes long, at 4:36, "Verdi: La traviata, Act 2: "Annina, donde vieni?....O mio rimorso!" (Alfredo, Annina, Violetta, Germont)" by Giuseppe Verdi, Francesco Albanese, Gabriele Santini, Ines Marietti, Orchestra Sinfonica della RAI, Ugo Savarese is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: La traviata (1953 - Santini) - Callas Remastered by Giuseppe Verdi, Maria Callas. The song's track number on the album is #14 out of 44 tracks. In terms of popularity, Verdi: La traviata, Act 2: "Annina, donde vieni?....O mio rimorso!" (Alfredo, Annina, Violetta, Germont) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Verdi: La traviata, Act 2: "Annina, donde vieni?....O mio rimorso!" (Alfredo, Annina, Violetta, Germont) by Giuseppe Verdi, Francesco Albanese, Gabriele Santini, Ines Marietti, Orchestra Sinfonica della RAI, Ugo Savarese has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: La traviata, Act 2: "Annina, donde vieni?....O mio rimorso!" (Alfredo, Annina, Violetta, Germont) being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen / Act 2: Toreador Song: "Votre toast, je peux vous le rendre" (from Carmen / Act 2) | Georges Bizet, Barry Wordsworth, Bryn Terfel, London Symphony Orchestra | B♭ Minor | 4 | 3A | 112 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
La Gazza Ladra - La Urraca Ladrona Obertura | Gioachino Rossini, Inma Shara | E Major | 1 | 12B | 138 BPM | ||
Tannhauser, Act III: Begluckt darf nun dich, o Heimat, ich schauen ("Pilgrims' Chorus") | Richard Wagner, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Johannes Wildner | D Major | 4 | 10B | 129 BPM | ||
La Traviata / Act 3: "Ah, non più!... Ah! Gran Dio! Morir sì giovine" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | G Major | 2 | 9B | 82 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Falstaff / Act 3: Dal labbro il canto estasiato | Giuseppe Verdi, Dalmacio Gonzales, Barbara Hendricks, Katia Ricciarelli, Lucia Valentini Terrani, Brenda Boozer, Los Angeles Philharmonic, Carlo Maria Giulini | A♭ Major | 0 | 4B | 127 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Turandot / Act 3: "Diecimile anni al nostro Imperatore...Padre augusto" | Giacomo Puccini, Dame Joan Sutherland, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 134 BPM |
Section: 0.521965503692627
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