- BPM
- 130
- Key
- C Minor
- Camelot
- 5A
Serse / Act 1: Sento un soave concento - George Frideric Handel, Owen Brannigan, Maureen Lehane, Vienna Radio Orchestra, Brian Priestman, Martin Isepp Information
- Acousticness
- 98%
- Danceability
- 27%
- Energy
- 3%
- Instrumentalness
- 17%
- Liveness
- 49%
- Loudness
- 49%
- Speechiness
- 6%
- Valence
- 54%
- Popularity
- 0%
- Loudness
- -30.668 dB
Summary
George Frideric Handel, Owen Brannigan, Maureen Lehane, Vienna Radio Orchestra, Brian Priestman, Martin Isepp made "Serse / Act 1: Sento un soave concento" available on September 5, 2020. With Serse / Act 1: Sento un soave concento being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel's "My morning with Handel" album is number 30 out of 210. Based on our statistics, Serse / Act 1: Sento un soave concento's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Serse / Act 1: Sento un soave concento BPM
We consider the tempo marking of Serse / Act 1: Sento un soave concento by George Frideric Handel, Owen Brannigan, Maureen Lehane, Vienna Radio Orchestra, Brian Priestman, Martin Isepp to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
Serse / Act 1: Sento un soave concento Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | |
 | Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM | |
 | Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | |
 | 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | |
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 | 6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | |
 | Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | |
 | Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | |
 | Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 115 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8473098278045654
End: 0.8515913486480713