"La vestale, Act I: Air. L’amour est un monstre barbare" by Gaspare Spontini, Aude Extrémo, Les Talens Lyriques, Christophe Rousset was released on May 12, 2023. The duration of La vestale, Act I: Air. L’amour est un monstre barbare is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. La vestale, Act I: Air. L’amour est un monstre barbare's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "Spontini: La vestale". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Italy. In terms of popularity, La vestale, Act I: Air. L’amour est un monstre barbare is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La vestale, Act I: Air. L’amour est un monstre barbare by Gaspare Spontini, Aude Extrémo, Les Talens Lyriques, Christophe Rousset having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Mélodies, Op. 46: No. 2, Clair de lune | Gabriel Fauré, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Norma, Act II: Cedi! Deh, cedi! (Critical Ed. Maurizio Biondi and Riccardo Minasi) - Edit | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | D Major | 2 | 10B | 131 BPM | ||
Messe pour le sacre de Napoléon: III. Gloria, Laudamus te | Giovanni Paisiello, Sandrine Piau, Chantal Santon Jeffery, Éléonore Pancrazi, Mathias Vidal, Thomas Dolie, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | D Major | 2 | 10B | 76 BPM | ||
Messa di Gloria: XV. Et vitam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | D Major | 1 | 10B | 64 BPM | ||
Agnese di Hohenstaufen, Act I: "Son loro! O Dio Signor, ti ringrazio!" (Enrico, Irmengarda, Agnese, Filippo, Coro) | Gaspare Spontini, Orchestra Sinfonica di Roma della RAI, Riccardo Muti, Bruno Prevedi, Coro di Roma della Rai | F♯ Major | 1 | 2B | 91 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Mysliveček: Demetrio: "Mi parea del porto in seno" (Cleonice) | Josef Mysliveček, Emőke Baráth, Vaclav Luks | F Major | 2 | 7B | 134 BPM | ||
Der Zigeunerbaron: Act II: So voll Frohlichkeit | Johann Strauss II, Hermann Prey, Erika Köth, Monica Sinclair, Josef Schmiedinger, Erich Kunz, Elisabeth Schwarzkopf, Nicolai Gedda, Gertrud Burgsthaler-Schuster, Philharmonia Chorus, Philharmonia Orchestra, Otto Ackermann | C Major | 3 | 8B | 103 BPM |
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