"Siegfried: Act I Scene 3: Bist du es, Kind? (Mime, Siegfried)" by Richard Wagner, Set Svanholm, Peter Markwort, Josef Herrmann, Alois Pernerstorfer, Ludwig Weber, Elisabeth Höngen, Kirsten Flagstad, Julia Moor, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler was released on July 3, 2012. The duration of Siegfried: Act I Scene 3: Bist du es, Kind? (Mime, Siegfried) is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Siegfried: Act I Scene 3: Bist du es, Kind? (Mime, Siegfried)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wilhelm Furtwangler Conducts Richard Wagner's Der Ring des Nibelungen (Milan 1950) by Richard Wagner, Wilhelm Furtwängler. The song's track number on the album is #23 out of 259 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Siegfried: Act I Scene 3: Bist du es, Kind? (Mime, Siegfried) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Siegfried: Act I Scene 3: Bist du es, Kind? (Mime, Siegfried) by Richard Wagner, Set Svanholm, Peter Markwort, Josef Herrmann, Alois Pernerstorfer, Ludwig Weber, Elisabeth Höngen, Kirsten Flagstad, Julia Moor, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Siegfried: Act I Scene 3: Bist du es, Kind? (Mime, Siegfried) being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 0 | 4B | 75 BPM | ||
Symphony No. 3 In C Major, Op. 43, "Le Divin Poeme" (The Divine Poem): I. Lento | Moscow Symphony Orchestra, Dmitri Lokalenkov, Alexander Scriabin | D Major | 0 | 10B | 165 BPM | ||
Norma: Overture | Vincenzo Bellini, Filarmonica della Scala, Riccardo Chailly | G Major | 2 | 9B | 144 BPM | ||
Das Rheingold, WWV 86A / Scene 2: "Endlich, Loge!" | Richard Wagner, Eberhard Wächter, George London, Kurt Böhme, Set Svanholm, Kirsten Flagstad, Waldemar Kmentt, Walter Kreppel, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 2 | 3B | 94 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..." | Wolfgang Amadeus Mozart, René Jacobs, Lorenzo Regazzo, Concerto Köln, Patrizia Ciofi | G Major | 1 | 9B | 134 BPM | ||
4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 92 BPM | ||
Gotterdammerung (Twilight of the Gods): Prologue: Einleitung | Richard Wagner, Lance Ryan, Johannes Martin Kränzle, Jochen Schmeckenbecher, Gregory Frank, Susan Bullock, Anja Fidelia Ulrich, Claudia Mahnke, Meredith Arwady, Angel Blue, Britta Stallmeister, Jenny Carlstedt, Katharina Magiera, Frankfurt Opera Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | A♭ Major | 2 | 4B | 116 BPM | ||
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM | ||
Carmen Suite No. 2: 1. Marche des contrebandiers | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 1 | 5A | 106 BPM |
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