Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell's 'Mystery (Rosary) Sonata: No. 10 in G Minor “The Crucifixion and Death of Jesus”: I. Praeludium' came out on March 1, 2024. With Mystery (Rosary) Sonata: No. 10 in G Minor “The Crucifixion and Death of Jesus”: I. Praeludium being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 23 out of 41 in Biber: Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Alan Choo, Apollo's Fire, Jeannette Sorrell. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Mystery (Rosary) Sonata: No. 10 in G Minor “The Crucifixion and Death of Jesus”: I. Praeludium is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mystery (Rosary) Sonata: No. 10 in G Minor “The Crucifixion and Death of Jesus”: I. Praeludium by Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gordion Knot Unty'd, Z. 597: Second Act Tune: Rondo Minuet | Henry Purcell, Aradia Ensemble, Kevin Mallon | C Minor | 5 | 5A | 153 BPM | ||
Ouverture No. 2 in F Major (c 1715): VI. Menuett | Francesco Maria Veracini, Neue Düsseldorfer Hofmusik, Mary Utiger | E Major | 1 | 12B | 82 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Mensa sonora / PARS I (In D Major): 2. Allamanda | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 109 BPM | ||
Violin Sonata in B-Flat Major, T. So 34: IV. Sarabanda | Tomaso Albinoni, Davide Belosio, I Solisti Ambrosiani | A♭ Major | 0 | 4B | 120 BPM | ||
Violin Sonata No. 1 in D Minor: I. Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 1 | 12A | 125 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Suite in A Minor: V. La Piemontoise | Louis Couperin, Laurence Cummings | A♭ Minor | 3 | 1A | 71 BPM | ||
Sonata in B-Flat Major, Op. 2, No. 1, BuxWV 259: Allegro - | Dietrich Buxtehude, John Holloway, Jaap Ter Linden, Lars Ulrik Mortensen | A Major | 3 | 11B | 199 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM |
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