Henry Purcell, Aradia Ensemble, Kevin Mallon made "The Gordion Knot Unty'd, Z. 597: Second Act Tune: Rondo Minuet" available on March 25, 2008. With The Gordion Knot Unty'd, Z. 597: Second Act Tune: Rondo Minuet being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Purcell: Theatre Music, Vol. 1 - Amphitryon / Sir Barnaby Whigg / The Gordian Knot Unty'D / Circe". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, The Gordion Knot Unty'd, Z. 597: Second Act Tune: Rondo Minuet's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With The Gordion Knot Unty'd, Z. 597: Second Act Tune: Rondo Minuet by Henry Purcell, Aradia Ensemble, Kevin Mallon having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armide, LWV 71, Prologue: Ouverture (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | B♭ Major | 2 | 6B | 120 BPM | ||
The Fairy Queen, Z. 629 / Act 2: Trio: "May the God of Wit inspire" | Henry Purcell, Wynford Evans, Martyn Hill, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner | B Major | 0 | 1B | 74 BPM | ||
Mensa sonora / PARS I (In D Major): 5. Gavotte | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 81 BPM | ||
Viola da Gamba Suite in D Major: X. Minuetto | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 79 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: II. Lento [Ciacona] | Dietrich Becker, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | D♭ Major | 2 | 3B | 86 BPM | ||
Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II: Come, ye sons of art, away | Henry Purcell, Michael Chance, The English Concert, Trevor Pinnock, The English Concert Choir | D♭ Major | 2 | 3B | 81 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": III. Hornpipe | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 134 BPM | ||
Viola da Gamba Suite in D Major: VII. Tempo di minuetto | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 111 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act II: Prelude for the Witches. "Wayward Sisters, You That Fright" - Chorus. "Harm's Our Delight" (Sorceress, Chorus) | Henry Purcell, William Christie, Choeur des Arts Florissants, Claire Brua, Les Arts Florissants | E Major | 0 | 12B | 78 BPM | ||
The Gordion Knot Unty'd, Z. 597: Fourth Act Tune: Jig | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 100 BPM |
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