"All-Night Vigil, Op. 37: No. 13, Today Salvation Has Come" by Sergei Rachmaninoff, Gloriae Dei Cantores, Patriarch Tikhon Choir, The St. Romanos Cappella, Washington Master Chorale, Richard K. Pugsley, Peter Jermihov had its release date on March 3, 2017. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. All-Night Vigil, Op. 37: No. 13, Today Salvation Has Come's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Rachmaninoff: All-Night Vigil, Op. 37". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. All-Night Vigil, Op. 37: No. 13, Today Salvation Has Come is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All-Night Vigil, Op. 37: No. 13, Today Salvation Has Come by Sergei Rachmaninoff, Gloriae Dei Cantores, Patriarch Tikhon Choir, The St. Romanos Cappella, Washington Master Chorale, Richard K. Pugsley, Peter Jermihov having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | D Major | 1 | 10B | 84 BPM | ||
Dolly, Op.56: 4. Kitty-Valse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E♭ Major | 1 | 5B | 101 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | C Major | 2 | 8B | 80 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM |