"Feria Quinta, Tenebrae Responsories for Maundy Thursday: VI. Unus ex discipulis meis" by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent was released on September 24, 2013. With this song being about 5 minutes long, at 5:07, "Feria Quinta, Tenebrae Responsories for Maundy Thursday: VI. Unus ex discipulis meis" by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent's "Gesualdo: Responsoria 1611" album is number 6 out of 29. Feria Quinta, Tenebrae Responsories for Maundy Thursday: VI. Unus ex discipulis meis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Feria Quinta, Tenebrae Responsories for Maundy Thursday: VI. Unus ex discipulis meis by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maria stabat ad momentum (Concerti, 1587) | Andrea Gabrieli, Gabrieli, Paul McCreesh, Timothy Roberts | F Major | 1 | 7B | 70 BPM | ||
All-Night Vigil, Op. 37: IV. Gladsome Light | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Toby Vaughn Kidd | C Minor | 0 | 5A | 78 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Gesualdo: Ave, Dulcissima Maria | Carlo Gesualdo, Peter Phillips, The Tallis Scholars | F Major | 1 | 7B | 71 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
Crucifixus a 8 voci | Antonio Lotti, Ensemble Altera, Christopher Lowrey | C Minor | 0 | 5A | 70 BPM | ||
The silver swan | Orlando Gibbons, Tessa Bonner, The Rose Consort Of Viols | E Major | 0 | 12B | 44 BPM | ||
Quel Augellin Che Canta | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A♭ Minor | 1 | 1A | 77 BPM | ||
Quel augellin che canta | Claudio Monteverdi, Emma Kirkby, Joseph Cornwell, Anthony Rooley, Simon Grant, Andrew King, Evelyn Tubb | G Minor | 0 | 6A | 108 BPM | ||
Sinfonia | Biagio Marini, Odhecaton, Paolo da Col | A Minor | 1 | 8A | 115 BPM |
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