Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes made "Le Corsaire: Act I - "21. Variation: Medora"" available on October 14, 2011. The duration of Le Corsaire: Act I - "21. Variation: Medora" is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Le Corsaire: Act I - "21. Variation: Medora"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè's "Le Corsaire - A Ballet in Three Acts" album is number 21 out of 70. The popularity of Le Corsaire: Act I - "21. Variation: Medora" is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Le Corsaire: Act I - "21. Variation: Medora" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes to be Presto (very, very fast) because the track has a tempo of 181 BPM, a half-time of 90BPM, and a double-time of 362 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes: IX. Piqués et grands pirouettes | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Major | 1 | 9B | 79 BPM | ||
Raymonda, Act II: Grand pas Espagnol | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 3 | 5B | 95 BPM | ||
Le Corsaire: Pas de deux (arr. J. Lanchberry): II. Allegro: Tempo di Valse: Men's Variation | Ludwig Minkus, Riccardo Drigo, John Lanchbery, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 3 | 4B | 51 BPM | ||
Paquita: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 2 | 11B | 122 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 20 (orch. A. Dvorak) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | E Minor | 1 | 9A | 77 BPM | ||
Le Corsaire: Act III - "10. Le Jardin Anime: Coda" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | B Major | 0 | 1B | 70 BPM | ||
La Bayadere, Act III: 43. "Entrance - Corps De Ballet, Nikiya, Solo | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 1 | 10B | 80 BPM | ||
Symphony No. 6 in D Major, Op. 56: IV. Finale. Allegro con brio | Franz Paul Lachner, Evergreen Symphony Orchestra, Gernot Schmalfuss | D Major | 3 | 10B | 109 BPM | ||
Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | C Major | 2 | 8B | 96 BPM | ||
Expreß, Polka schnell, Op. 311 | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | G Major | 4 | 9B | 172 BPM |
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