"Pique Dame: Contess' Aria" by Zagreb Philharmonic Orchestra, Ljiljan Molnar, R Haan, B Berkyova, P Oswald, Milan Sachs was released on January 1, 1996. Pique Dame: Contess' Aria is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. There are a total of 9 in the song's album "The Wonders Of Opera (Vol. 3)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The popularity of Pique Dame: Contess' Aria is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pique Dame: Contess' Aria by Zagreb Philharmonic Orchestra, Ljiljan Molnar, R Haan, B Berkyova, P Oswald, Milan Sachs having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
The music key of this track is B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La boîte à joujoux, L. 128: III. La bergerie à vendre | Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas | F Minor | 0 | 4A | 72 BPM | ||
Don Giovanni: Madamina | B Berkyova, R Haan, Ljiljan Molnar, P Oswald, Zagreb Philharmonic Orchestra, Niksa Bareza | D Major | 2 | 10B | 80 BPM | ||
Hedgehog's Home (Arr. M. Rabadan for Voice & Orchestra): Lia’s Letter | Hrvoje Hegedušić, Hana Hegedušić, Vladimir Tintor, Borko Perić, Zagreb Philharmonic Orchestra, Dinko Appelt | D Major | 3 | 10B | 129 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto grazioso | Antonín Dvořák, Peter Breiner | G Major | 1 | 9B | 179 BPM | ||
24 Preludes, Op. 11: No. 11 in B Major | Alexander Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 74 BPM | ||
Dvije Leptirove Pjesme,,Op.52, Pjesma No.2 / Zwei Schmetterlingslieder Op.52 , Song No.2 | Jan Latham-Koenig, Marija Vidović, Zagreb Philharmonic Orchestra | F♯ Major | 3 | 2B | 102 BPM | ||
Liszt: Piano Concerto No. 2 in A Major, S. 125: IV. Allegro animato | Franz Liszt, Boris Berezovsky, Hugh Wolff, Philharmonia Orchestra | A Major | 3 | 11B | 98 BPM |
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