On January 1, 1994, the song "La Bayadère / Act 2: No.34 Allegro (No.9) (original Pavlova material)" was released by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge. With La Bayadère / Act 2: No.34 Allegro (No.9) (original Pavlova material) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Ludwig Minkus, English Chamber Orchestra, Richard Bonynge's "Minkus-Lanchbery: La Bayadère" album is number 7 out of 42. In terms of popularity, La Bayadère / Act 2: No.34 Allegro (No.9) (original Pavlova material) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of La Bayadère / Act 2: No.34 Allegro (No.9) (original Pavlova material) by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote: Act I: Sancho and the Girls | Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 2 | 5B | 99 BPM | ||
Larghetto & Allegro for 2 Pianos in E-Flat Major, Fr1781f (Compl. & Orch. Lev): I. Larghetto – | Wolfgang Amadeus Mozart, Alon Kariv, English Chamber Orchestra, MultiPiano, Tomer Lev | E♭ Major | 0 | 5B | 144 BPM | ||
Cinderella, Op. 87: 19. Cinderella's Departure for the Ball | Sergei Prokofiev, Cleveland Orchestra, Vladimir Ashkenazy | D♭ Major | 1 | 3B | 80 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | C Major | 1 | 8B | 138 BPM | ||
Don Quixote: Act III: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 3 | 9B | 75 BPM | ||
Come Back | Dario Marianelli, Jean-Yves Thibaudet | B♭ Minor | 2 | 3A | 66 BPM | ||
Act I: The Dance Of Espada & Toreros With Cloaks (Minkus) | Mariinsky Orchestra | B♭ Major | 2 | 6B | 180 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
Etudes: XIV. Broad leaps | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Major | 4 | 11B | 143 BPM |
Section: 0.6071364879608154
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