Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov made "Don Quixote: Act I: Sancho and the Girls" available on January 1, 1995. The duration of Don Quixote: Act I: Sancho and the Girls is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Don Quixote: Act I: Sancho and the Girls's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov's "Minkus, L.: Don Quixote [Ballet]" album is number 19 out of 56. In terms of popularity, Don Quixote: Act I: Sancho and the Girls is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Don Quixote: Act I: Sancho and the Girls by Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 13 in B-Flat Major, Op. 130: II. Presto | Ludwig van Beethoven, Kodály Quartet | B♭ Minor | 1 | 3A | 162 BPM | ||
Le Corsaire: Act II - "4. Grand Pas: Variation: Ali" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | A♭ Major | 1 | 4B | 121 BPM | ||
Erlkönig, D. 328 (Adapt. for Cello and Orchestra) | Franz Schubert, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | A Minor | 1 | 8A | 124 BPM | ||
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Allegro | Baroque Festival Orchestra, Alberto Lizzio | E Major | 0 | 12B | 87 BPM | ||
Don Quixote: Act III: Flower Waltz | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 0 | 8B | 156 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | G Major | 1 | 9B | 174 BPM | ||
Le grand cahier: II. Les alertes | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | G Major | 5 | 9B | 155 BPM | ||
Don Quixote: Act I: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | F Major | 2 | 7B | 101 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Allegretto: Women's Variation | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 1 | 5B | 89 BPM | ||
Violin Concerto, Op. 48: I. Allegro molto e con brio | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | C Major | 2 | 8B | 145 BPM |
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