Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ruth Holton, Pieter Jan Leusink made "III. Ach Gott, Vom Himmel Sieh Darein BWV 2, (3) Aria (Alto): Tilg, O Gott, Die Lehren" available on December 20, 2006. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 18 in Bach Cantatas (Complete) Part: 26 by Holland Boys Choir, Netherlands Bach Collegium. Based on our statistics, III. Ach Gott, Vom Himmel Sieh Darein BWV 2, (3) Aria (Alto): Tilg, O Gott, Die Lehren's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of III. Ach Gott, Vom Himmel Sieh Darein BWV 2, (3) Aria (Alto): Tilg, O Gott, Die Lehren by Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ruth Holton, Pieter Jan Leusink is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bach, CPE: Magnificat in D Minor, Wq. 215: IX. Sicut erat | Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra | D Major | 3 | 10B | 87 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 8 in E flat minor, BWV 853 | Luc Beauséjour | G Minor | 2 | 6A | 89 BPM | ||
Missa Sanctae Ursulae, MH 546: Dona nobis pacem (Soprano, Chorus) | Michael Haydn, Juliane Banse, Mechthild Bach, Gabriele Binder, Karl-Heinz Lampe, Joachim Gebhard, Munich Motet Choir, Munich Residence Orchestra, Hans Rudolf Zöbeley | C Major | 2 | 8B | 133 BPM | ||
Sonata in D Minor for Flute and Basso Continuo, RV 49: I. Preludio | Antonio Vivaldi, ConSerto Musico, Mario Folena, Roberto Loreggian | B Major | 4 | 1B | 94 BPM | ||
Gelobet sei der Herr, TWV 1:602/1216: Singt gegeneinander | Georg Philipp Telemann, Kölner Akademie, Michael Alexander Willens | D♭ Major | 2 | 3B | 121 BPM | ||
St. John Passion, BWV 245, Part I: No. 10, Rezitativ "Derselbige Jünger" (Evangelist, Ancilla, Petrus, Jesus, Servus) | Johann Sebastian Bach, Werner Güra, Sunhae Im, Johannes Weisser, Sebastian Kohlhepp, Akademie für Alte Musik Berlin, René Jacobs | C Major | 0 | 8B | 138 BPM | ||
Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
Nisi Dominus, HWV 238: I. Nisi Dominus | George Frideric Handel, Johanna Winkel, Viktoria Wilson, Alex Potter, Hugo Hymas, Andreas Wolf, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Das Sühnopfer des neuen Bundes, Pt. 1: No. 6, O du Zuflucht der Elenden | Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper | B♭ Major | 0 | 6B | 66 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 8. Aria, "Verdammter Verräter, wo hast du dein Herze" (Petrus) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Jonathan Sells | A♭ Minor | 2 | 1A | 96 BPM |
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