"Gurre-Lieder / Part 1: 6. "So tanzen die Engel"" by Arnold Schoenberg, James McCracken, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 1979. The duration of Gurre-Lieder / Part 1: 6. "So tanzen die Engel" is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Gurre-Lieder / Part 1: 6. "So tanzen die Engel"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Schoenberg: Gurrelieder". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Gurre-Lieder / Part 1: 6. "So tanzen die Engel" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gurre-Lieder / Part 1: 6. "So tanzen die Engel" by Arnold Schoenberg, James McCracken, Boston Symphony Orchestra, Seiji Ozawa having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Moses und Aron / Act I: Der einzige, ewige, allmächtige (Moses, Aron, Chor) | Arnold Schoenberg, David Pittman-Jennings, Chris Merritt, Royal Concertgebouw Orchestra, Pierre Boulez, Chorus Of The Netherlands Opera | D♭ Major | 1 | 3B | 81 BPM | ||
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
Mélodie, Op. 20, No. 1 | Alexander Glazunov, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 84 BPM | ||
Nocturnes: No. 1. Nuages | Claude Debussy, MDR Leipzig Radio Chorus, Leipzig Radio Symphony Orchestra, Max Pommer | C Major | 0 | 8B | 76 BPM |
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