Joseph Haydn, Simone Kermes, Thomas Hengelbrock made "Die Schöpfung, Hob. XXI:2: Part I: Mit Staunen sieht das Wunderwerk" available on August 26, 2002. The duration of Die Schöpfung, Hob. XXI:2: Part I: Mit Staunen sieht das Wunderwerk is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Die Schöpfung, Hob. XXI:2: Part I: Mit Staunen sieht das Wunderwerk's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn, Thomas Hengelbrock's "Haydn: Die Schöpfung/The Creation" album is number 5 out of 32. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Die Schöpfung, Hob. XXI:2: Part I: Mit Staunen sieht das Wunderwerk is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Die Schöpfung, Hob. XXI:2: Part I: Mit Staunen sieht das Wunderwerk by Joseph Haydn, Simone Kermes, Thomas Hengelbrock to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet in E-Flat Major, Op. 2, No. 4, Ben. 310: III. Tempo di Minuetto | Ignaz Pleyel, Enso String Quartet | A Minor | 1 | 8A | 116 BPM | ||
Violin Concerto BWV 1041 in A Minor: Violin Concerto BWV 1041 in A Minor: III. Allegro assai | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans | A♭ Minor | 3 | 1A | 130 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Rondo (Allegretto) | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | E♭ Major | 1 | 5B | 150 BPM | ||
The Creation, Hob. XXI:2: Pt. I, No.1: Die Vorstellung des Chaos (the Representation of Chaos) | Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering | C Minor | 0 | 5A | 70 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
Keyboard Sonata No. 60 in C Major, Hob.XVI:50: I. Allegro | Joseph Haydn, Jenő Jandó | C Major | 1 | 8B | 121 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Grand Overture in B-Flat Major, Op. 18, No. 2, W. G9: III. Presto | Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | G Minor | 1 | 6A | 135 BPM |
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