Joseph Haydn, Jenő Jandó's 'Keyboard Sonata No. 60 in C Major, Hob.XVI:50: I. Allegro' came out on September 30, 1993. Keyboard Sonata No. 60 in C Major, Hob.XVI:50: I. Allegro appears to be safe for all ages as it is not explicit. The track order of this song in Franz Joseph Haydn's "Haydn: Piano Sonatas Nos. 59-62" album is number 4 out of 11. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Keyboard Sonata No. 60 in C Major, Hob.XVI:50: I. Allegro's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Keyboard Sonata No. 60 in C Major, Hob.XVI:50: I. Allegro by Joseph Haydn, Jenő Jandó to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Long, Long Ago (arr. for piano) | Anonymous, Thomas Haynes Bayley, Jenő Jandó | C Major | 1 | 8B | 74 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: Die Himmel erzählen die Ehre Gottes | Franz Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | C Major | 3 | 8B | 97 BPM | ||
String Quartet No.12 In F Major, Op.96 - "American" B.179: 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Hagen Quartett | F Major | 1 | 7B | 80 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM | ||
Kinderszenen (Scenes of Childhood), Op. 15: I. Von fremden Landern und Menschen (Of Foreign Lands and People) | Robert Schumann, Jenő Jandó | G Major | 0 | 9B | 66 BPM | ||
The Seven Last Words of Christ, Hob.XX:2: Sonata II "Fürwahr, ich sag' es dir" (Grave e cantabile) | Franz Joseph Haydn, Cuarteto Casals | C Minor | 0 | 5A | 77 BPM | ||
Nocturne No.5 In F Sharp, Op.15 No.2 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 125 BPM | ||
12 Études, Op. 25: No. 7 in C-Sharp Minor "Cello" | Frédéric Chopin, Maurizio Pollini | D♭ Minor | 0 | 12A | 108 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio | Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 77 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Jacqueline du Pré, Daniel Barenboim | B♭ Minor | 2 | 3A | 94 BPM |
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