Radio Luxembourg Symphony Orchestra made "Tritsch, Tratsch Polka, Op. 214" available on February 12, 2014. The duration of Tritsch, Tratsch Polka, Op. 214 is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Tritsch, Tratsch Polka, Op. 214's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Radio Luxembourg Symphony Orchestra's "Johann Strauss II: The Masterpieces" album is number 9 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, Tritsch, Tratsch Polka, Op. 214's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Tritsch, Tratsch Polka, Op. 214 by Radio Luxembourg Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 154 BPM, a half-time of 77BPM, and a double-time of 308 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Lieder, Op. 49 (arr. for orchestra): Wiegenlied: Guten Abend, gut Nacht, Op. 49, No. 4 | Anonymous, Johannes Brahms, Slovak Radio Symphony Orchestra, Peter Breiner | E♭ Major | 1 | 5B | 113 BPM | ||
Divertimento: II. Waltz: Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Thaïs: Méditation (Arr. for Cello & Piano) | Jules Massenet, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 80 BPM | ||
Werther: Pourquoi me réveiller (Arr. for Violin and Orchestra) | Jules Massenet, Joshua Bell, Michael Stern | G Minor | 2 | 6A | 105 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | A Major | 1 | 11B | 65 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, New York Philharmonic, Leonard Bernstein | C Major | 0 | 8B | 84 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Goin' Home | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | D♭ Major | 0 | 3B | 81 BPM | ||
Mendelssohn: Songs Without Words, Book I, Op. 19b: No. 1, Andante con moto, MWV U86 | Felix Mendelssohn, Daniel Adni | B Major | 0 | 1B | 130 BPM |
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