"5 Lieder, Op. 49 (arr. for orchestra): Wiegenlied: Guten Abend, gut Nacht, Op. 49, No. 4" by Anonymous, Johannes Brahms, Slovak Radio Symphony Orchestra, Peter Breiner was released on May 26, 1999. The duration of 5 Lieder, Op. 49 (arr. for orchestra): Wiegenlied: Guten Abend, gut Nacht, Op. 49, No. 4 is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. 5 Lieder, Op. 49 (arr. for orchestra): Wiegenlied: Guten Abend, gut Nacht, Op. 49, No. 4's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 16 in Berceuse - Music Of Peace And Calm by Various Artists, Richard Edlinger, Keith Clark, Ondrej Lenard, Jorma Panula, Peter Breiner, John Georgiadis, Alexander Rahbari. In terms of popularity, 5 Lieder, Op. 49 (arr. for orchestra): Wiegenlied: Guten Abend, gut Nacht, Op. 49, No. 4 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 5 Lieder, Op. 49 (arr. for orchestra): Wiegenlied: Guten Abend, gut Nacht, Op. 49, No. 4 by Anonymous, Johannes Brahms, Slovak Radio Symphony Orchestra, Peter Breiner is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
6 Lieder ohne Worte, Op. 19: No. 6, Venezianisches Gondellied | Slovak Philharmonic, Bohdan Warchal | F♯ Minor | 1 | 11A | 64 BPM | ||
Tales of Hoffman: Barcarolle (Bailey's) | Jacques Offenbach, Bystrik Rezucha, Slowakische Philharmonie | D Major | 2 | 10B | 132 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Concerto For Claninet And Orchestra In A Major Kv622 "Adagio" | Various Artists | D Major | 0 | 10B | 81 BPM | ||
Coppelia Ballet Suite: Music of the Automata and Waltz | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E Major | 1 | 12B | 122 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
Tritsch-Tratsch Polka, Op. 214 | Nora Mercz, Johann Strauss II, Janos Balint | D Major | 1 | 10B | 76 BPM |
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