Antoine Reicha, Ivan Ilic's ' "Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 12a, Allegro" was released on its scheduled release date, September 1, 2018. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 12a, Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Reicha Rediscovered, Vol. 2". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 12a, Allegro's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 12a, Allegro by Antoine Reicha, Ivan Ilic having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roumanian Folk Dances (Román Népi Táncok): IV: From Bucium (Buceameana) | The Royal Wind Music | E♭ Minor | 0 | 2A | 62 BPM | ||
Keyboard Concerto in D Minor, BWV 974 (After A. Marcello's Oboe Concerto in D Minor): I. — | Johann Sebastian Bach, Guoda Gedvilaitė | E Minor | 0 | 9A | 81 BPM | ||
Concerto for Double Bass 1st Movement | Antonio Capuzzi, Martin Smith, Catherine Milledge | E♭ Major | 0 | 5B | 115 BPM | ||
Divertimento for Flute, Violin & Cello in G Major, Hob. IV:9: I. Adagio | Joseph Haydn, Les curiosités esthétiques, Jean-Pierre Pinet | D♭ Major | 1 | 3B | 128 BPM | ||
Flute Concerto No. 5 in F Major: IIc. Var. 2, Andante cantabile | Saverio Mercadante, Patrick Gallois, Czech Philharmonic Chamber Orchestra | F Major | 1 | 7B | 83 BPM | ||
Concerti Grossi, Op. 7: No. 6 in B-Flat Major, Op 7: IV. Grave - Presto - Studio Recording | Francesco Geminiani, I Musici | B♭ Major | 2 | 6B | 114 BPM | ||
Duo No. 2 for Violin and Viola in D Minor: III. Rondo. Allegro | Carl Stamitz, Gabriela Demeterová | D Major | 1 | 10B | 141 BPM | ||
Lieder Ohne Worte, Sechtes Heft, Op. 67 (Arr. for Violin and Piano by Ferdinand David): I. Andante | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | G Major | 1 | 9B | 79 BPM | ||
Divertimento in F Major, K. 138: III. Presto | Wolfgang Amadeus Mozart, Café Zimmermann, Pablo Valetti | D Major | 2 | 10B | 71 BPM | ||
Partita No. 1 in B-Flat Major, BWV 825 (Arr. for Small Orchestra by Thomas Oehler): II. Allemande | Johann Sebastian Bach, Trevor Pinnock, Royal Academy of Music Soloists Ensemble, The Glenn Gould School | B♭ Major | 0 | 6B | 78 BPM |