"Op. 12, Troparia with the Spirits of the Righteous Departed" by St.Petersburg Chamber Choir, Nikolai Korniev was released on December 4, 2020. The duration of Op. 12, Troparia with the Spirits of the Righteous Departed is about 3 minutes long, at 3:25. Based on our data, "Op. 12, Troparia with the Spirits of the Righteous Departed" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Pavel Chesnokov, Sacred Compositions (Vol.3)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Russia. Op. 12, Troparia with the Spirits of the Righteous Departed is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Op. 12, Troparia with the Spirits of the Righteous Departed by St.Petersburg Chamber Choir, Nikolai Korniev having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alleluia, Behold the Bridegroom | St.Petersburg Chamber Choir | G Minor | 2 | 6A | 82 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
The Hymn for the Day | The Choir of the Dormition Church of the Novodevichy Convent | D♭ Major | 3 | 3B | 0 BPM | ||
Let My Prayer Be Set Forth in Thy Sight | Men's Choir of the Valaam Singing Culture Institute | B♭ Minor | 1 | 3A | 136 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Christ lag in Todesbanden | Johann Walter, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 138 BPM | ||
Vidi Aquam | The Concordia Choir | A♭ Minor | 0 | 1A | 81 BPM | ||
You Know Me | Kristina Arakelyan, Anna Lapwood, The Pembroke College Girls’ Choir, Joseph Beadle | C Minor | 3 | 5A | 176 BPM | ||
Ektenia | The Russian State Symphony Cappella | C Major | 3 | 8B | 138 BPM | ||
Concerto for Choir: IV. Complete this Work Which I Began in Hope and with Your Name | Alfred Schnittke, Elena Dof-Donskaya, Valery Polyansky, USSR Ministry of Culture Chamber Choir | G Major | 1 | 9B | 92 BPM |
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