George Frideric Handel, Richard Egarr made "Suite No.3 in D Minor, HWV 428: V. Air; Doubles 1-5" available on January 27, 2014. Since Suite No.3 in D Minor, HWV 428: V. Air; Doubles 1-5 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Frideric Handel, Richard Egarr's "Handel: 8 'Great' Suites for Keyboard" album is number 13 out of 38. In terms of popularity, Suite No.3 in D Minor, HWV 428: V. Air; Doubles 1-5 is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Suite No.3 in D Minor, HWV 428: V. Air; Doubles 1-5 by George Frideric Handel, Richard Egarr to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: VIII. Bourrée | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 3 | 12B | 153 BPM | ||
Partita in C Minor, HWV 444: IV. Gavotte | George Frideric Handel, Fernando De Luca | B Minor | 3 | 10A | 89 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent | A♭ Minor | 1 | 1A | 122 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 2 | 5A | 93 BPM | ||
Toccata in E Minor | Johann Pachelbel, Wolfgang Rübsam | E Major | 3 | 12B | 141 BPM | ||
Quatuor No. 1 in D Major: I. Prélude; Vivement | Georg Philipp Telemann, Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura | A♭ Major | 2 | 4B | 115 BPM | ||
Symphony No. 1 in D major, Wq. 183/1: Symphony No. 1 in D major, Wq. 183/1: III. Presto | Carl Philipp Emanuel Bach, The English Concert, Andrew Manze | D♭ Major | 2 | 3B | 119 BPM | ||
Recorder Sonata in F Major, Op. 1 No. 11, HWV 369: I. Larghetto | George Frideric Handel, László Czidra, Pál Kelemen, Zsuzsa Pertis | F Major | 1 | 7B | 76 BPM |
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