"Symphony No.4, Op.29 - "The Inextinguishable": 1. Allegro" by Carl Nielsen, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1994. Symphony No.4, Op.29 - "The Inextinguishable": 1. Allegro appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Nielsen: Symphony No.4 "The Inextinguishable"/ Sibelius: Tapiola, Op. 112". In this album, this song's track order is #1. Symphony No.4, Op.29 - "The Inextinguishable": 1. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No.4, Op.29 - "The Inextinguishable": 1. Allegro by Carl Nielsen, Berliner Philharmoniker, Herbert von Karajan having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Sibelius: Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | Jean Sibelius, Paavo Järvi, Jesper Harryson, Royal Stockholm Philharmonic Orchestra | E Minor | 1 | 9A | 88 BPM | ||
Gloria, FP 144: 1. Gloria | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | C Major | 3 | 8B | 109 BPM | ||
Aria for String Quartet, Op. 9 | Mieczysław Weinberg, NOVO Quartet | G Minor | 0 | 6A | 103 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Rachmaninov: Scherzo in D Minor | Sergei Rachmaninoff, St Petersburg Philharmonic Orchestra (Leningrad)/Mariss Jansons, Mariss Jansons | D Minor | 1 | 7A | 109 BPM | ||
Violin Concerto, Op. 14: III. Presto in moto | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | A Minor | 3 | 8A | 108 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | G Minor | 1 | 6A | 101 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM |
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