"Die Fledermaus Overture à la Janoska" by Johann Strauss II, Boris Fomin, Konstantin Podrevskij, Nadir Mamedoff, Janoska Ensemble was released on April 8, 2016. Since Die Fledermaus Overture à la Janoska is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Janoska Ensemble's "Janoska Style" album is number 1 out of 10. On top of that, Austria appears to be the country where this track was created. Die Fledermaus Overture à la Janoska is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Fledermaus Overture à la Janoska by Johann Strauss II, Boris Fomin, Konstantin Podrevskij, Nadir Mamedoff, Janoska Ensemble to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiener Blut: Overture: Wiener Blut (Vienna Blood), Op. 354 | Strauss Festival Orchestra, Johann Strauss II | C Major | 1 | 8B | 178 BPM | ||
Swan Lake- Dance of the Swans | Pyotr Ilyich Tchaikovsky, Christian Ehwald, Staatsphilharmonie Kosice | F♯ Minor | 0 | 11A | 108 BPM | ||
Die Fledermaus / Act 2: Nr.6 Introduktion: "Ein Souper heut uns winkt" | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber, Chor der Bayerischen Staatsoper München, Wolfgang Baumgart | E Major | 4 | 12B | 112 BPM | ||
An Der Schonen, Blauen Donau (The Beautiful Blue Danube), Op. 314 : An Der Schonen, Blauen Donau (The Beautiful Blue Danube), Op. 314 | Strauss Festival Orchestra, Johann Strauss II | D Major | 0 | 10B | 91 BPM | ||
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | D Major | 3 | 10B | 99 BPM | ||
Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 169 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Autumn (L'Automno) Op.8 No.3 Major: Allegro | Baroque Festival Orchestra, Alberto Lizzio | F Major | 0 | 7B | 104 BPM | ||
Bei uns z'Haus, Op. 361 | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | C Major | 1 | 8B | 100 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM |
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