"Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): So komm, Eurydike - Komm, und vertrau meiner Treue" by Raniero de' Calzabigi, Christoph Willibald Gluck, Hermann Prey/Pilar Lorengar/Berliner Symphoniker/Horst Stein, Horst Stein, Berliner Symphoniker was released on April 12, 2013. Since Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): So komm, Eurydike - Komm, und vertrau meiner Treue is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Christoph Willibald Gluck, Raniero de' Calzabigi, Hermann Prey/Pilar Lorengar/Erika Köth's "Gluck: Orpheus und Eurydike" album is number 13 out of 18. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): So komm, Eurydike - Komm, und vertrau meiner Treue is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): So komm, Eurydike - Komm, und vertrau meiner Treue by Raniero de' Calzabigi, Christoph Willibald Gluck, Hermann Prey/Pilar Lorengar/Berliner Symphoniker/Horst Stein, Horst Stein, Berliner Symphoniker to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Messe in D-Dur, Op.86 | Julia Bernheimer, Hans Reinprecht, Alfred Sramek, Gertraud Schmid, Chorvereinigung St. Augustin | D Major | 1 | 10B | 78 BPM | ||
Missa in Angustiis "Lord Nelson Mass": II. Gloria | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Abigail Fischer, Keith Jameson, Kevin Deas | F Major | 2 | 7B | 78 BPM | ||
Schubert: Mass in G Major, D. 167: Credo | Franz Schubert, Lucia Popp, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra | E Minor | 0 | 9A | 124 BPM | ||
Die Schöpfung, Hob. XXI:2, Zweiter Teil: XII. Chor "Vollendet ist das große Werk" - 27. Terzett "Zu dir, o Herr, blickt Alles auf" - 28. Chor "Vollendet ist das große Werk" | Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Christina Landshamer, Maximilian Schmitt, Rudolf Rosen | B♭ Major | 2 | 6B | 109 BPM | ||
Miserere, ZWV 57: V. Sicut erat et Miserere III | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | F♯ Minor | 3 | 11A | 77 BPM | ||
20. Coro: Ihr Augen weint | Georg Anton Kreusser, Domkantorei St. Martin, Karsten Storck, Mainzer Domorchester | C Major | 2 | 8B | 82 BPM | ||
Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Grausame Götter Acherons - Gott Amor kommt zum Trost | Raniero de' Calzabigi, Christoph Willibald Gluck, Hermann Prey/Erika Köth/Berliner Symphoniker/Horst Stein, Horst Stein, Berliner Symphoniker | C Minor | 2 | 5A | 113 BPM | ||
Missa Solemnis: XIII. Sanctus | Leopold Mozart, Bayerische Kammerphilharmonie, Alessandro De Marchi, Das Vokalprojekt | C Major | 2 | 8B | 132 BPM | ||
Serse, HWV 40, Act I: O voi, che penate (Romilda, Arsamene, Elviro, Serse) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | E Minor | 2 | 9A | 147 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Dies Irae | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | B♭ Major | 3 | 6B | 111 BPM |
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