Raniero de' Calzabigi, Christoph Willibald Gluck, Hermann Prey/Erika Köth/Berliner Symphoniker/Horst Stein, Horst Stein, Berliner Symphoniker's 'Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Grausame Götter Acherons - Gott Amor kommt zum Trost' came out on April 12, 2013. The duration of Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Grausame Götter Acherons - Gott Amor kommt zum Trost is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Grausame Götter Acherons - Gott Amor kommt zum Trost's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, Raniero de' Calzabigi, Hermann Prey/Pilar Lorengar/Erika Köth's "Gluck: Orpheus und Eurydike" album is number 3 out of 18. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Grausame Götter Acherons - Gott Amor kommt zum Trost is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Grausame Götter Acherons - Gott Amor kommt zum Trost by Raniero de' Calzabigi, Christoph Willibald Gluck, Hermann Prey/Erika Köth/Berliner Symphoniker/Horst Stein, Horst Stein, Berliner Symphoniker to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Haydn: The Creation, Hob. XXI:2, Pt. 3: No. 30a, Duet with Chorus. "By Thee With Bliss" (Eve, Adam, Chorus) | Joseph Haydn, Sir Simon Rattle, Arleen Auger, City of Birmingham Symphony Chorus, David Thomas, City Of Birmingham Symphony Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
Missa solemnis in D major, Op. 123: II. Gloria: in excelsis Deo. Allegro vivace Gloria | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 2 | 10B | 78 BPM | ||
Psalm 42, Op. 42, MWV A15: Quintetto "Der Herr hat des Tages verheißen" | Felix Mendelssohn, Eiddwen Harrhy, La Chapelle Royale, Collegium Vocale Gent, Orchestre de chambre de Paris, Philippe Herreweghe | B♭ Major | 1 | 6B | 170 BPM | ||
Die Fledermaus: Act II: Finale: Herr Chevalier, ich grusse Sie (Eisenstein, Frank) | Johann Strauss II, Paul Armin Edelmann, Sebastian Holecek, Cologne West German Radio Orchestra, Friedrich Haider | A♭ Major | 1 | 4B | 69 BPM | ||
La Caravane du Caire, Acte I: XIII. "La victoire est à nous" | André-Ernest-Modeste Grétry, Les Agrémens, Guy Van Waas, Alain Buet | C Minor | 3 | 5A | 90 BPM | ||
Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Kyrie | Joseph Haydn, Carol Vaness, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Sir Neville Marriner, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
Requiem aeternam: Rex tremendae | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | A Major | 1 | 11B | 86 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VI. Chanson de Melisande - Molto lento | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Marc'Antonio e Cleopatra: Morte col fiero aspetto (Aria) | Johann Adolf Hasse, Regula Mühlemann | F♯ Minor | 3 | 11A | 120 BPM | ||
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 14, Die Himmel erzählen die Ehre Gottes | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Christiane Karg, Benjamin Bruns, Tareq Nazmi, MDR Leipzig Radio Choir | B♭ Major | 3 | 6B | 117 BPM |
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