"Prologue: One Blessed Night" by Andrew T. Miller, Robert McPherson, Robin Tritschler, Owen Gilhooly, Andrew Miller was released on November 6, 2007. Prologue: One Blessed Night is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. There are a total of 13 in the song's album "The Birth of Christ". In this album, this song's track order is #2. Prologue: One Blessed Night is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prologue: One Blessed Night by Andrew T. Miller, Robert McPherson, Robin Tritschler, Owen Gilhooly, Andrew Miller having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Minstrel Boy | Robert McPherson | E Major | 7 | 12B | 128 BPM | ||
Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 84 BPM | ||
God Save The Queen | Anonymous, Royal Choral Society, BBC Concert Orchestra, Barry Wordsworth | G Major | 2 | 9B | 73 BPM | ||
Considering Matthew Shepard: Passion, 7. The Fence (that night) | Craig Hella Johnson, Conspirare | D Minor | 1 | 7A | 104 BPM | ||
Materna Requiem: 3. Pie Jesu | Rebecca Dale, Trystan, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | G Major | 0 | 9B | 78 BPM | ||
Hymn To The Fallen - From "Saving Private Ryan" Soundtrack | John Williams | G Major | 1 | 9B | 127 BPM | ||
Stabat Mater, FP 148: 11. Inflammatus et accensus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A♭ Minor | 2 | 1A | 86 BPM | ||
Messa da Requiem: Dies irae - Tuba mirum | London Philharmonic Orchestra | E♭ Major | 4 | 5B | 88 BPM | ||
A Safe Stronghold Our God Is Still (Ein Feste Burg) | Amici forever | E♭ Major | 2 | 5B | 119 BPM | ||
Våren / The Last Spring | Edvard Grieg, Reza e iRagazzi, Reza Aghamir | F Major | 2 | 7B | 68 BPM |
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