Krzysztof Penderecki, Royal Stockholm Philharmonic Orchestra, Jadwige Gadulanka, Jadwiga Rappe, Piotr Nowacki, Zachos Terzakis, Royal Stockholm Philharmonic Chorus made "A Polish Requiem: III. Dies irae" available on May 1, 1996. With A Polish Requiem: III. Dies irae being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Penderecki: Polish Requiem". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, A Polish Requiem: III. Dies irae is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With A Polish Requiem: III. Dies irae by Krzysztof Penderecki, Royal Stockholm Philharmonic Orchestra, Jadwige Gadulanka, Jadwiga Rappe, Piotr Nowacki, Zachos Terzakis, Royal Stockholm Philharmonic Chorus having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane pour une infante défunte, M. 19 (Version for Orchestra) | Maurice Ravel, Orchestre Philharmonique Du Luxembourg, Gustavo Gimeno | G Major | 0 | 9B | 91 BPM | ||
String Quartet No. 2, "Company": I. — | Philip Glass, Carducci String Quartet | F Major | 0 | 7B | 83 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Moments of Poetry and Music: No. 2, Melody, Post scriptum | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | B Major | 0 | 1B | 77 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Greenwood: 48 Responses to Polymorphia: Ranj | Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra | E Minor | 2 | 9A | 129 BPM | ||
Oboe Concerto, Op. 20: II. Andante | Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba | A Minor | 1 | 8A | 120 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Ich ruf zu dir, Herr Jesu Christ, No. 5, BWV 639 | Johann Sebastian Bach, Murray Perahia | G Minor | 3 | 6A | 122 BPM |
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