Robert Schumann, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra's 'Schumann: Cello Concerto in A Minor, Op. 129: III. Sehr lebhaft' came out on 1969. Since Schumann: Cello Concerto in A Minor, Op. 129: III. Sehr lebhaft is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Schumann: Cello Concerto - Saint-Saëns: Cello Concerto No. 1". In this album, this song's track order is #3. In terms of popularity, Schumann: Cello Concerto in A Minor, Op. 129: III. Sehr lebhaft is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schumann: Cello Concerto in A Minor, Op. 129: III. Sehr lebhaft by Robert Schumann, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in D Minor, K.9/L.413/P.65: Allegro | Domenico Scarlatti, Balazs Szokolay | F Major | 1 | 7B | 118 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo. Adagio | Sergei Rachmaninoff, Jascha Horenstein, Royal Philharmonic Orchestra, Earl Wild | D♭ Major | 1 | 3B | 63 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Brahms: Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi Menuetto | Johannes Brahms, Jacqueline du Pré, Daniel Barenboim | A♭ Major | 1 | 4B | 107 BPM | ||
Symphony No.3 In E Flat, Op.10, B. 34: 3. Finale (Allegro vivace) | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | E♭ Major | 3 | 5B | 101 BPM | ||
Violin Concerto in D Major: II. Aria I | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Hilary Hahn | D Minor | 1 | 7A | 96 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: IV. Allegretto poco mosso | César Franck, Pierre Amoyal, Mikhail Rudy | D Minor | 2 | 7A | 148 BPM | ||
Piano Sonata No. 31 In A Flat Major, Op. 110: 1. Moderato cantabile molto espressivo | Ludwig van Beethoven, Daniel Barenboim | A♭ Major | 0 | 4B | 167 BPM | ||
String Quartet No. 2 in D Major: IV. Finale: Andante - vivace | Alexander Borodin, Streichquartett Luzern, Gunars Larsen, Roger Pyne, Howard Griffiths, Curdin Coray | D Major | 2 | 10B | 114 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.4 in C sharp minor BWV873 | Daniel Barenboim | D♭ Minor | 0 | 12A | 121 BPM |
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