Oedipus Rex: Act II: And Now You Are Going to Hear That Famous Monolog - Igor Stravinsky, Michael Wagner Information

Acousticness: 24%
Danceability: 70%
Energy: 57%
Instrumentalness: 0%
Liveness: 20%
Loudness: 86%
Speechiness: 17%
Valence: 78%
Popularity: 0%
Loudness: -8.144 dB

Summary

Igor Stravinsky, Michael Wagner made "Oedipus Rex: Act II: And Now You Are Going to Hear That Famous Monolog" available on 1947. With Oedipus Rex: Act II: And Now You Are Going to Hear That Famous Monolog being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 102 in Bernstein Conducts Stravinsky by Igor Stravinsky, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Oedipus Rex: Act II: And Now You Are Going to Hear That Famous Monolog is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Oedipus Rex: Act II: And Now You Are Going to Hear That Famous Monolog BPM

The tempo marking of Oedipus Rex: Act II: And Now You Are Going to Hear That Famous Monolog by Igor Stravinsky, Michael Wagner is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.

Oedipus Rex: Act II: And Now You Are Going to Hear That Famous Monolog Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Circus Polka (arr. S. Dushkin for violin and piano)	Samuel Dushkin, Igor Stravinsky, Matthew Trusler, Martin Roscoe	A♭ Minor	2	1A	97 BPM
L'Oiseau de feu, K010: X. Khorovod (Ronde) des princesses	Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez	B Major	0	1B	142 BPM
Bolt, Op. 27a (Ballet Suite No. 5): V. Intermezzo	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	A♭ Major	0	4B	65 BPM
La mer, L. 109: III. Dialogue du vent et de la mer	Claude Debussy, Cleveland Orchestra, Pierre Boulez	D♭ Major	2	3B	80 BPM
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	F Minor	2	4A	117 BPM
Tchaikovsky : Symphony No.5 in E minor Op.64 : III Valse - Allegro moderato	Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra	A Major	1	11B	146 BPM
Rachmaninov: Symphony No. 2 in E Minor, Op. 27: II. Allegro molto	Sergei Rachmaninoff, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra	F Major	1	7B	142 BPM
Symphony No.4 In G: 2. In gemächlicher Bewegung. Ohne Hast	Gustav Mahler, Cleveland Orchestra, Pierre Boulez, William Preucil	C Major	0	8B	129 BPM
Carmen Suite No. 1: 1. Prélude	Georges Bizet, Orchestre de Paris, Semyon Bychkov	A Minor	1	8A	96 BPM
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": IV. Presto	Franz Schubert, Jerusalem Quartet	D Minor	1	7A	91 BPM

ISRC: USSM11803897
Label: L-M Records/RCA Records

Section: 0.7840468883514404

End: 0.7885353565216064