Anonymous, Antonio Vivaldi, Jordi Savall's 'Chiave, chiave (Instrumental) [Début du XVe siècle]' came out on January 26, 2018. With Chiave, chiave (Instrumental) [Début du XVe siècle] being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Venezia Millenaria by Jordi Savall. The song's track number on the album is #11 out of 37 tracks. Based on our statistics, Chiave, chiave (Instrumental) [Début du XVe siècle]'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Chiave, chiave (Instrumental) [Début du XVe siècle] by Anonymous, Antonio Vivaldi, Jordi Savall has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Chiave, chiave (Instrumental) [Début du XVe siècle] being at 120 BPM, the half-time would be 60 BPM with a double-time of 240 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viderunt omnes No. 1: Notum fecit... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 79 BPM | ||
Tunes for Archbishop Parker's Psalter: No. 3, Psalm 2 "Why Fum'th in Fight" (Arr. for Choir, Organ & Brass Ensemble) | Thomas Tallis, Croydon Minster Choir Of Whitgift School, The English Cornett and Sackbut Ensemble, Tom Little, Ronny Krippner | A Minor | 1 | 8A | 87 BPM | ||
La Messe: Kyrie IX | Choeur des moines de l'abbaye Notre Dame de Fontgombault | E Minor | 1 | 9A | 75 BPM | ||
Virgo prudentissima | Hilaire Penet, Alan Black, Pomerium | D Minor | 1 | 7A | 136 BPM | ||
Missa Gloria tibi Trinitas: Sanctus | John Taverner, Christ Church Cathedral Choir, Oxford, Stephen Darlington | D Minor | 2 | 7A | 71 BPM | ||
We Praise Thee, O God No. 2 in F Major | Lege Artis Chamber Choir, Boris Abalyan | F♯ Minor | 1 | 11A | 133 BPM | ||
Pax in nomine domini! | Marcabru, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 170 BPM | ||
Adieu delices de mon ceur | Jacob Clemens non Papa, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 79 BPM | ||
Echo la primavera | Francesco Landini, Anonymous 4 | F Major | 0 | 7B | 85 BPM | ||
Hymne Chrétienne d'Oxyrhynchus | Roberto Gerhard, Gregorio Paniagua | A Major | 0 | 11B | 143 BPM |
Section: 0.9015533924102783
End: 0.9066386222839355