"Acht Kleine Präludien Und Fugen In D-moll, Bwv 554" by Ton Koopman was released on June 1, 1990. The duration of Acht Kleine Präludien Und Fugen In D-moll, Bwv 554 is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Acht Kleine Präludien Und Fugen In D-moll, Bwv 554's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ton Koopman's "Johann Sebastian Bach: Orgelwerke V" album is number 8 out of 17. In terms of popularity, Acht Kleine Präludien Und Fugen In D-moll, Bwv 554 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Acht Kleine Präludien Und Fugen In D-moll, Bwv 554 by Ton Koopman to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 6, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Major | 4 | 3B | 118 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: II. Te Deum laudamus | Marc-Antoine Charpentier, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 1 | 3B | 84 BPM | ||
Organ Concerto No. 1 in G Minor, Op. 4 No. 1, HWV 289: III. Adagio | George Frideric Handel, Karl Richter, Karl Richter Chamber Orchestra | E Minor | 0 | 9A | 140 BPM | ||
Les plaisirs champêtres: V. Passepied | Jean-Féry Rebel, Jordi Savall | D♭ Minor | 1 | 12A | 104 BPM | ||
Miserere in C minor: Gloria Patri II | Thomas Hengelbrock | F♯ Major | 1 | 2B | 77 BPM | ||
Suite in C Major, BuxWV 226: II. Courante | Dietrich Buxtehude, Ton Koopman | B Major | 4 | 1B | 130 BPM | ||
Stabat Mater, RV 621: Amen | Antonio Vivaldi, Marion Newman, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 142 BPM | ||
Overture in G Minor: VII. Rigaudon | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 154 BPM | ||
Bach, CPE: Die Auferstehung und Himmelfahrt Jesu, Wq. 240, Pt. 1: No. 5, Chor. "Triumph! Des Herrn Gesalbter sieget!" | Carl Philipp Emanuel Bach, Philippe Herreweghe, Collegium Vocale Gent, Orchestra of the Age of Enlightenment | D♭ Major | 4 | 3B | 117 BPM | ||
Piece in F for Keyboard , K.33B | Wolfgang Amadeus Mozart, Ton Koopman | C Major | 0 | 8B | 136 BPM |
Section: 1.2068455219268799
End: 1.2146339416503906