Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Brenda Poupard's 'Coronis, Jornada segunda: No. 23, Atented, parad' had a release date set for February 11, 2022. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Sebastián Durón: Coronis". In this album, this song's track order is #23. Furthermore, we believe that the track originated from France. In terms of popularity, Coronis, Jornada segunda: No. 23, Atented, parad is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Coronis, Jornada segunda: No. 23, Atented, parad by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Brenda Poupard having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Herr ist mit mir, darum fürchte ich mich nicht, BuxWV 15 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hanna Kopra, Immo Schroder, Benoît Giaux | C Minor | 1 | 5A | 140 BPM | ||
Suite No. 1 in G Minor: III. Courante | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | B Major | 1 | 1B | 104 BPM | ||
Suite No. 3 in G major for recorder & b.c. – Allemande. La Cascade de St Cloud | Jacques Hotteterre, László Rózsa, Jonathan Rees, Alex McCartney | B♭ Major | 2 | 6B | 112 BPM | ||
Mori, mi dici (II) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Coronis, Jornada primera: No. 7, Suelta, homicida | Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Ana Quintans, Isabelle Druet | D♭ Major | 4 | 3B | 85 BPM | ||
Stabat Mater in G Minor: VII. Sancta Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Minor | 0 | 10A | 57 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: II. Quia respexit | Carl Philipp Emanuel Bach, Geraint Jones, Jennifer Vyvyan, Geraint Jones Orchestra | D Major | 4 | 10B | 121 BPM | ||
Convocamini, congregamini: No. 1, Convocamini, congregamini (Lucifero) | Rinaldo Alessandrini, Concerto Italiano, Gabriele Lombardi | A Major | 3 | 11B | 93 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: V. Sarabande en rondeau | Marin Marais, Ensemble Amalia | C Major | 3 | 8B | 70 BPM | ||
Symphony in A Major, H. 660, Wq. 182/4: III. Allegro assai | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki | D♭ Major | 1 | 3B | 140 BPM |