Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Ana Quintans, Isabelle Druet's 'Coronis, Jornada primera: No. 7, Suelta, homicida' had a release date set for February 11, 2022. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Coronis, Jornada primera: No. 7, Suelta, homicida's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "Sebastián Durón: Coronis". In this album, this song's track order is #8. Furthermore, we believe that the track originated from France. Coronis, Jornada primera: No. 7, Suelta, homicida is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Coronis, Jornada primera: No. 7, Suelta, homicida by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Ana Quintans, Isabelle Druet having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Membra Jesu Nostri, BuxWV 75, Ad genua: Concerto Ad ubera portabimini | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": VI. Harlequinade. Der schertzende Tritonus | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 2 | 1B | 144 BPM | ||
Te Deum: V. Tu rex gloriae Christe | Giovanni Bononcini, Owen Rees, Rowan Pierce, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Trios Pour Le Coucher Du Roi - Symphony | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Coronis, Jornada primera: No. 11, Al ver que de mi horror | Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Isabelle Druet | E♭ Minor | 2 | 2A | 77 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Nascere Virgo potens: No. 1, Nascere Virgo potens | Rinaldo Alessandrini, Concerto Italiano, Monica Piccinini, Francesca Cassinari, Gabriele Lombardi | A Major | 3 | 11B | 93 BPM | ||
Coronis, Jornada primera: No. 10, Dioses, Piedad | Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Ana Quintans | B♭ Minor | 2 | 3A | 86 BPM | ||
Airs for the Autumn: Belvedere: II. Non presto: Allegro | James Oswald, The Broadside Band | F♯ Minor | 3 | 11A | 99 BPM | ||
Médée, H. 491, Act II: Passacaille | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | C Minor | 1 | 5A | 86 BPM |