"Coronis, Jornada primera: No. 11, Al ver que de mi horror" by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Isabelle Druet had its release date on February 11, 2022. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Sebastián Durón: Coronis". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. Coronis, Jornada primera: No. 11, Al ver que de mi horror is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Coronis, Jornada primera: No. 11, Al ver que de mi horror by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Isabelle Druet having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Prigionier Superbo: I. 01 Allegro e spirituoso | Giovanni Battista Pergolesi, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | D♭ Major | 3 | 3B | 158 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
A Collection of Old Scots Tunes: Lochaber | Francesco Barsanti, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
Les fêtes d'Hébé, RCT 41, Act I Scene 5: Revenez, tendre amant, embellissez ces lieux | Jean-Philippe Rameau, Lóránt Najbauer, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM | ||
Il ritorno d'Ulisse in patria: PROLOGUE, "Mortal cosa son io" (L'Umana Fragilità) | Claudio Monteverdi, René Jacobs, Dominique Visse, Michael Schopper, Lorraine Hunt Lieberson, Martina Bovet, Concerto Vocale | A Minor | 1 | 8A | 120 BPM | ||
12 Sonatas, Opera XVI, Op. 16 No. 1 (Excerpts): II. Largo | Isabella Leonarda, Emanuele Breda, Barbara Mauch-Heinke, Daniela Wartenberg, Toshinori Ozaki, Sofya Gandilyan | A Minor | 2 | 8A | 127 BPM | ||
Le Bourgeois gentilhomme, LWV 43, Act IV Scene 5: Marche pour la cérémonie des Turcs (Arr. for 2 Harpsichords by William Christie & Justin Taylor) | Jean-Baptiste Lully, William Christie, Justin Taylor | F♯ Minor | 4 | 11A | 85 BPM | ||
Bassoon Concerto in G Major, RV 494: II. Largo | Antonio Vivaldi, Miho Fukui, Ensemble F | F♯ Minor | 6 | 11A | 157 BPM | ||
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM |