Coronis, Jornada primera: No. 11, Al ver que de mi horror
Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Isabelle Druet
Sebastián Durón: Coronis
1:32 February 11, 2022
BPM
77
Key
E♭ Minor
Camelot
2A

Embed

Share Link

Coronis, Jornada primera: No. 11, Al ver que de mi horror - Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Isabelle Druet Information

Acousticness
41%
Danceability
16%
Energy
22%
Instrumentalness
56%
Liveness
16%
Loudness
77%
Speechiness
4%
Valence
9%
Popularity
Loudness
-14.078 dB

Summary

"Coronis, Jornada primera: No. 11, Al ver que de mi horror" by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Isabelle Druet had its release date on February 11, 2022. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Sebastián Durón: Coronis". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. Coronis, Jornada primera: No. 11, Al ver que de mi horror is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Coronis, Jornada primera: No. 11, Al ver que de mi horror BPM

With Coronis, Jornada primera: No. 11, Al ver que de mi horror by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Isabelle Druet having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Coronis, Jornada primera: No. 11, Al ver que de mi horror Key

This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Il Prigionier Superbo: I. 01 Allegro e spirituoso by Giovanni Battista Pergolesi, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert MealyIl Prigionier Superbo: I. 01 Allegro e spirituosoGiovanni Battista Pergolesi, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert MealyD♭ Major33B158 BPM
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace by Matthew Locke, Ensemble Correspondances, Sébastien DaucéPsyche, Act I Scene 1: Dance for Ambition, Power, Plenty and PeaceMatthew Locke, Ensemble Correspondances, Sébastien DaucéD♭ Major13B122 BPM
A Collection of Old Scots Tunes: Lochaber by Francesco Barsanti, Rachel Podger, Brecon BaroqueA Collection of Old Scots Tunes: LochaberFrancesco Barsanti, Rachel Podger, Brecon BaroqueA♭ Minor21A112 BPM
Concerto Armonico I: I. Grave by Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera ArmoniosaConcerto Armonico I: I. GraveUnico Wilhelm van Wassenaer, Mike Fentross, La Sfera ArmoniosaD♭ Major13B95 BPM
Les fêtes d'Hébé, RCT 41, Act I Scene 5: Revenez, tendre amant, embellissez ces lieux by Jean-Philippe Rameau, Lóránt Najbauer, Purcell Choir, Orfeo Orchestra, Gyorgy VashegyiLes fêtes d'Hébé, RCT 41, Act I Scene 5: Revenez, tendre amant, embellissez ces lieuxJean-Philippe Rameau, Lóránt Najbauer, Purcell Choir, Orfeo Orchestra, Gyorgy VashegyiE♭ Major05B99 BPM
Il ritorno d'Ulisse in patria: PROLOGUE, Il ritorno d'Ulisse in patria: PROLOGUE, "Mortal cosa son io" (L'Umana Fragilità)Claudio Monteverdi, René Jacobs, Dominique Visse, Michael Schopper, Lorraine Hunt Lieberson, Martina Bovet, Concerto VocaleA Minor18A120 BPM
12 Sonatas, Opera XVI, Op. 16 No. 1 (Excerpts): II. Largo by Isabella Leonarda, Emanuele Breda, Barbara Mauch-Heinke, Daniela Wartenberg, Toshinori Ozaki, Sofya Gandilyan12 Sonatas, Opera XVI, Op. 16 No. 1 (Excerpts): II. LargoIsabella Leonarda, Emanuele Breda, Barbara Mauch-Heinke, Daniela Wartenberg, Toshinori Ozaki, Sofya GandilyanA Minor28A127 BPM
Le Bourgeois gentilhomme, LWV 43, Act IV Scene 5: Marche pour la cérémonie des Turcs (Arr. for 2 Harpsichords by William Christie & Justin Taylor) by Jean-Baptiste Lully, William Christie, Justin TaylorLe Bourgeois gentilhomme, LWV 43, Act IV Scene 5: Marche pour la cérémonie des Turcs (Arr. for 2 Harpsichords by William Christie & Justin Taylor)Jean-Baptiste Lully, William Christie, Justin TaylorF♯ Minor411A85 BPM
Bassoon Concerto in G Major, RV 494: II. Largo by Antonio Vivaldi, Miho Fukui, Ensemble FBassoon Concerto in G Major, RV 494: II. LargoAntonio Vivaldi, Miho Fukui, Ensemble FF♯ Minor611A157 BPM
Te Deum Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveniHenri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de CamboulasB♭ Major46B106 BPM
ISRC
FR50X2178812
Label
L-M Records/RCA Records