"Der Freischutz, J. 277, Act II: Act II: Rienzi! Auf, schtzt den Tribun! (Rienzi, Baroncelli, Colonna, Cecco, Adriano, Irene, Chorus)" by Richard Wagner, Carmen Anhorn, Raimund Grumbach, Hans Wilbrink, Friedrich Lenz, Alfred Kuhn, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, René Kollo, Cheryl Studer, Jan-Hendrick Rootering, John Janssen, Bodo Brinkmann, Karl Helm, Norbert Orth, Kieth Engen, Wolfgang Sawallisch was released on January 1, 2016. Der Freischutz, J. 277, Act II: Act II: Rienzi! Auf, schtzt den Tribun! (Rienzi, Baroncelli, Colonna, Cecco, Adriano, Irene, Chorus) appears to be safe for all ages as it is not explicit. This song is part of Wolfgang Sawallisch by Richard Wagner, Wolfgang Sawallisch. The song's track number on the album is #9 out of 77 tracks. Based on our statistics, Der Freischutz, J. 277, Act II: Act II: Rienzi! Auf, schtzt den Tribun! (Rienzi, Baroncelli, Colonna, Cecco, Adriano, Irene, Chorus)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Der Freischutz, J. 277, Act II: Act II: Rienzi! Auf, schtzt den Tribun! (Rienzi, Baroncelli, Colonna, Cecco, Adriano, Irene, Chorus) by Richard Wagner, Carmen Anhorn, Raimund Grumbach, Hans Wilbrink, Friedrich Lenz, Alfred Kuhn, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, René Kollo, Cheryl Studer, Jan-Hendrick Rootering, John Janssen, Bodo Brinkmann, Karl Helm, Norbert Orth, Kieth Engen, Wolfgang Sawallisch has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Der Freischutz, J. 277, Act II: Act II: Rienzi! Auf, schtzt den Tribun! (Rienzi, Baroncelli, Colonna, Cecco, Adriano, Irene, Chorus) being at 129 BPM, the half-time would be 64 BPM with a double-time of 258 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Siegfried, WWV 86C, Act I: Prelude | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 3 | 8B | 65 BPM | ||
Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | F Major | 1 | 7B | 114 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): X. Ein Tanz von Rüppeln / Danse bergamasque | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | B Major | 1 | 1B | 125 BPM | ||
Das Rheingold / Erste Szene: "Lugt, Schwestern! Die Weckerin lacht in den Grund" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 108 BPM | ||
Hungarian Dance No.20 In E Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 1 | 9A | 76 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 1, Scherzo | Felix Mendelssohn, London Symphony Orchestra, Alexander Knox, John Eliot Gardiner | G Minor | 1 | 6A | 134 BPM | ||
Der Rosenkavalier, Op.59 / Act 1: Introduction | Richard Strauss, Munich Philharmonic Orchestra, Christian Thielemann | E Major | 1 | 12B | 94 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Götterdämmerung, WWV 86D, Act III: Vorspiel | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 64 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM |
Section: 0.7194535732269287
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