- BPM
- 63
- Key
- E Minor
- Camelot
- 9A
Cello Concerto in E minor Op. 85 - I. Adagio-Moderato (opening) - Norman Del Mar, London Philharmonic Orchestra, Robert Cohen Information
- Acousticness
- 98%
- Danceability
- 7%
- Energy
- 4%
- Instrumentalness
- 80%
- Liveness
- 12%
- Loudness
- 62%
- Speechiness
- 5%
- Valence
- 5%
- Popularity
- 16%
- Loudness
- -22.967 dB
Summary
"Cello Concerto in E minor Op. 85 - I. Adagio-Moderato (opening)" by Norman Del Mar, London Philharmonic Orchestra, Robert Cohen was released on 2003. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 37 in Classical Heartbreakers by Various Artists. Cello Concerto in E minor Op. 85 - I. Adagio-Moderato (opening) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Cello Concerto in E minor Op. 85 - I. Adagio-Moderato (opening) BPM
The tempo marking of Cello Concerto in E minor Op. 85 - I. Adagio-Moderato (opening) by Norman Del Mar, London Philharmonic Orchestra, Robert Cohen is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Cello Concerto in E minor Op. 85 - I. Adagio-Moderato (opening) Key
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Grieg: Peer Gynt, Op. 23, Act 1: Prelude. At the Wedding | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 137 BPM | |
 | Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | |
 | Symphony No. 6, Op. 80: II. Canto: Largo e sereno | Edmund Rubbra, Philharmonia Orchestra, Norman Del Mar | C Major | 0 | 8B | 86 BPM | |
 | Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | |
 | Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | |
 | Franz Reizenstein : Concerto Popolare (a Piano Concerto to End All Piano Concertos) | Gerard Hoffnung, Yvonne Arnaud, Norman Del Mar | D Minor | 3 | 7A | 112 BPM | |
 | Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | |
 | Piano Concerto No. 2 in C Minor: IV. Allegro deciso, assai moderato | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | E♭ Major | 1 | 5B | 103 BPM | |
 | Capriol Suite: 1. Basse-danse | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | D Minor | 2 | 7A | 133 BPM | |
 | Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.2380311489105225
End: 1.2431402206420898