"Mazurkas: No. 2, Prestissimo, molto espressivo" by Thomas Adès, Kirill Gerstein was released on June 19, 2020. The duration of Mazurkas: No. 2, Prestissimo, molto espressivo is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Mazurkas: No. 2, Prestissimo, molto espressivo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Thomas Adès: In Seven Days". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. In terms of popularity, Mazurkas: No. 2, Prestissimo, molto espressivo is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Mazurkas: No. 2, Prestissimo, molto espressivo by Thomas Adès, Kirill Gerstein having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravel / Arr. Grainger: Miroirs, M. 43: V. La vallée des cloches | Maurice Ravel, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | D♭ Major | 0 | 3B | 140 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
In Seven Days: iv. Stars – Sun – Moon | Thomas Adès, Nicolas Hodges, London Sinfonietta | D♭ Major | 3 | 3B | 77 BPM | ||
Sonata for Cello and Piano G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Jonathan Swensen, Filip Štrauch | D Minor | 0 | 7A | 95 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
Tears | György Kurtág, Thomas Adès | G Major | 0 | 9B | 167 BPM | ||
Nocturne in 3 Scenes, Op. 72: I. Tahdet tuikkivat (The Stars are Twinkling) | Selim Palmgren, Risto Lauriala | D♭ Major | 1 | 3B | 102 BPM | ||
Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego" | Lou Harrison, American Composers Orchestra, Dennis Russell Davies | B Minor | 0 | 10A | 87 BPM | ||
NO ROADMAP TO ADULTHOOD / Chilly Gonzales: Prelude in C Sharp Major | Chilly Gonzales, Alice Sara Ott | E♭ Minor | 0 | 2A | 70 BPM |
Section: 0.661536455154419
End: 0.6659252643585205