- BPM
- 173
- Key
- D♭ Major
- Camelot
- 3B
Heures ternes - Nadia Boulanger, Lucile Richardot, Anne de Fornel Information
- Acousticness
- 99%
- Danceability
- 22%
- Energy
- 9%
- Instrumentalness
- 5%
- Liveness
- 7%
- Loudness
- 73%
- Speechiness
- 5%
- Valence
- 5%
- Popularity
- 4%
- Loudness
- -16.264 dB
Summary
"Heures ternes" by Nadia Boulanger, Lucile Richardot, Anne de Fornel was released on February 24, 2023. The duration of Heures ternes is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Heures ternes's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 63 in the song's album "Nadia & Lili Boulanger: Les Heures claires (The complete Songs)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. The popularity of Heures ternes is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Heures ternes BPM
With Heures ternes by Nadia Boulanger, Lucile Richardot, Anne de Fornel having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
Heures ternes Key
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Viola Concerto in C Minor: II. Adagio molto espressivo | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | A♭ Major | 2 | 4B | 133 BPM | |
 | Dvorák: From the Bohemian Forest, Op. 68: V. Silent Woods | Antonín Dvořák, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | D♭ Major | 1 | 3B | 84 BPM | |
 | Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | |
 | Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | |
 | 4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | |
 | Poème d'amour | Nadia Boulanger, Lucile Richardot, Anne de Fornel | G Major | 1 | 9B | 71 BPM | |
 | Scriabin - Etude Op.2 No.1 | Elena Kuschnerova | D♭ Minor | 0 | 12A | 69 BPM | |
 | Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano) | Robert Schumann, Lynn Harrell, Bruno Canino | F Major | 0 | 7B | 67 BPM | |
 | 3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | |
 | El cant dels ocells (Song of the Birds) (version for cello and orchestra) | Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A Minor | 0 | 8A | 89 BPM |
- ISRC
- FR7JM2228120
- Label
- L-M Records/RCA Records
Section: 0.9426567554473877
End: 0.9459378719329834