"Huella, Op. 49 (version for orchestra)" by Julián Aguirre, Buenos Aires Symphony Orchestra, Ministry of Education National Music Orchestra, Luis Gianneo was released on June 1, 2011. The duration of Huella, Op. 49 (version for orchestra) is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Huella, Op. 49 (version for orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Orchestral Music from Argentine Foreign Office (1955)". In this album, this song's track order is #1. In terms of popularity, Huella, Op. 49 (version for orchestra) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Huella, Op. 49 (version for orchestra) by Julián Aguirre, Buenos Aires Symphony Orchestra, Ministry of Education National Music Orchestra, Luis Gianneo having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
26 Ricercares: No. 3, Ricercare del terzo tono per duro | Vincenzo Galilei, John Oeth | A Major | 0 | 11B | 94 BPM | ||
Guitar Sonatina, Op. 52, No. 1: I. Allegretto | Lennox Berkeley, Kyuhee Park | D Major | 1 | 10B | 117 BPM | ||
Nostalgias | Maximo Diego Pujol | A Minor | 1 | 8A | 107 BPM | ||
Méthode complète pour la guitare | Napoléon Coste, Miloš Karadaglić | A Major | 2 | 11B | 134 BPM | ||
Imperfect Fourth: III. Con anima | Anne Cawrse, Aleksandr Tsiboulski, Cameron Hill, Helen Ayres, Martin Alexander, Ewen Bramble | D Major | 1 | 10B | 109 BPM | ||
Les Soirées D'auteuil, Op. 23 | Napoleon Coste, Edson Lopes | A Major | 2 | 11B | 125 BPM | ||
Romance 1978 | Frantz Casseus, Agustín Maruri | A Major | 1 | 11B | 49 BPM | ||
Romanza sin palabras No.20, Op. 53: No. 2, Endecha amorosa - Arrangement by Miguel Llobel | Felix Mendelssohn, Maurizio Baudino, Dario Vannini | D Major | 2 | 10B | 92 BPM | ||
El Sombrero de Tres Picos: Danza del Molinero | Manuel de Falla, Filomena Moretti | C Major | 2 | 8B | 119 BPM | ||
Villa-Lobos: 5 Preludes, W419: No. 2 in E Minor, Andantino | Heitor Villa-Lobos, Manuel Barrueco | E Major | 1 | 12B | 82 BPM |
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