Anne Cawrse, Aleksandr Tsiboulski, Cameron Hill, Helen Ayres, Martin Alexander, Ewen Bramble's 'Imperfect Fourth: III. Con anima' came out on February 25, 2022. With this song being about 5 minutes long, at 4:57, "Imperfect Fourth: III. Con anima" by Anne Cawrse, Aleksandr Tsiboulski, Cameron Hill, Helen Ayres, Martin Alexander, Ewen Bramble is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 9 in Advice to a Girl: Music by Anne Cawrse by Anne Cawrse, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, Imperfect Fourth: III. Con anima is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Imperfect Fourth: III. Con anima by Anne Cawrse, Aleksandr Tsiboulski, Cameron Hill, Helen Ayres, Martin Alexander, Ewen Bramble is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
French Quadrilogy: No. 1, The Girl on a Flaxen Horse | Aivars Kalējs, Trio NYX | D♭ Major | 2 | 3B | 151 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Nocturne in C-Sharp Minor, B. 49 (Arr. for Cello Quartet by Sabina Meck) | Frédéric Chopin, Polish Cello Quartet | D♭ Minor | 0 | 12A | 124 BPM | ||
String Quartet, Op.11: 2. Molto adagio | Samuel Barber, Tankstream Quartet | B♭ Minor | 0 | 3A | 82 BPM | ||
Romántico | Bullumba Landestoy, Carlos Manuel Vargas | F Minor | 1 | 4A | 63 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
French Quadrilogy: No. 4, Toccata | Aivars Kalējs, Trio NYX | B♭ Major | 1 | 6B | 78 BPM | ||
Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Transcr. Strauss & Rizikov for Cello and Piano) | Sergei Rachmaninoff, Lisa Strauss, Anastasia Rizikov | E♭ Major | 1 | 5B | 108 BPM | ||
3 Romances: Andante molto | Clara Schumann, Shirley Brill, Jonathan Aner | D♭ Major | 0 | 3B | 170 BPM | ||
6 Romances, Op. 38: No. 5, The Dream (arr. for piano trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | D Minor | 0 | 7A | 35 BPM |
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