Heitor Villa-Lobos, Manuel Barrueco's 'Villa-Lobos: 5 Preludes, W419: No. 2 in E Minor, Andantino' came out on 1989. The duration of Villa-Lobos: 5 Preludes, W419: No. 2 in E Minor, Andantino is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Villa-Lobos: 5 Preludes, W419: No. 2 in E Minor, Andantino's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Manuel Barrueco's "Manuel Barrueco Plays Villa-Lobos, Brouwer & Orbón" album is number 2 out of 16. On top of that, Germany appears to be the country where this track was created. Villa-Lobos: 5 Preludes, W419: No. 2 in E Minor, Andantino is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Villa-Lobos: 5 Preludes, W419: No. 2 in E Minor, Andantino by Heitor Villa-Lobos, Manuel Barrueco to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | ||
Lyric Piece in E Minor, Op. 57/6: Homesickness | Edvard Grieg, Khatia Buniatishvili | E Minor | 0 | 9A | 87 BPM | ||
Preludios Epigramaticos: No. 4 | Leo Brouwer, Elena Papandreou | B Minor | 0 | 10A | 136 BPM | ||
Danzas Argentinas: No. 2, Danza de la moza donosa - Arr. for Harp | Alberto Ginastera, Marie-Pierre Langlamet | E Minor | 0 | 9A | 94 BPM | ||
Rhapsodie | Marcel Grandjany, Judy Loman | F Minor | 1 | 4A | 96 BPM | ||
Bachianas brasileiras No. 2, "O trenzinho do Caipira": III. Danza: Lembranca do Sertao (Remembrance of the Bush) | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | A Minor | 2 | 8A | 84 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 22 in E Minor | Fernando Sor, Timo Korhonen | B Minor | 0 | 10A | 48 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Danzas Argentinas, Op. 2: 2. Danza de la moza donosa | Alberto Ginastera, Lang Lang | A Minor | 0 | 8A | 134 BPM |
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