"Resitatiivi, Pääsiäisjuhla Oli Jo Tulossa" by Markku Liukkonen, Joose Vähäsöyrinki, Heikki Rainio was released on March 10, 2020. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 43 in the song's album "Pietari Oratorio (Ihmisten Kalastaja)". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Finland. Resitatiivi, Pääsiäisjuhla Oli Jo Tulossa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Resitatiivi, Pääsiäisjuhla Oli Jo Tulossa by Markku Liukkonen, Joose Vähäsöyrinki, Heikki Rainio having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Tantum ergo, WAB 41: No. 4 in C Major (Version for Choir) | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
Tuuditan tulisoroista | SRK:n naiskuoro, Matias Lahti | D Minor | 0 | 7A | 95 BPM | ||
Handel: Samson, HWV 57, Act 1: "Total eclipse!" (Samson) | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | E Minor | 1 | 9A | 75 BPM | ||
Te deum, LWV 55: I. Te Deum | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 5 | 6B | 79 BPM | ||
Mass in D Major, Op. 86, B. 153: VI. Agnus Dei | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | G Major | 0 | 9B | 137 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 6, "Ein kleiner, hübscher Vogel nahm den Flug" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | A Major | 1 | 11B | 81 BPM | ||
Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 0 | 10A | 140 BPM | ||
Mass in B Minor, BWV 232 - Symbolum Nicenum (Credo): XIX. Et in Spiritum Sanctum (Live) | Johann Sebastian Bach, Cantata Collective, Nicholas McGegan, Paul Max Tipton | D♭ Major | 3 | 3B | 81 BPM | ||
La Giuditta: Part I: Aria: Turbe timide, che fate? (Giuditta) | Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 5 | 1B | 112 BPM | ||
Ave verum corpus à 2-3 | Josquin des Prez, Cut Circle, Jesse Rodin | F♯ Major | 2 | 2B | 133 BPM |
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